Published on: March 16, 2013
Jared Weiss
The Simon’s Rock Theater Department’s productions seem to have evolved over the past few years. We used to see more traditional, Renaissance- and Enlightenment-era theater, be it Molière’s “Tartuffe” or Shakespeare’s “Twelfth Night.” There was an emphasis on the witty dialogue, the character interactions, and the interweaving subplots.
That abruptly changed, however, with last spring’s brilliant, haunting production of student-scripted “Hospital Kapital.” Suddenly, we were treated to an entirely different kind of theater, one that functioned on a minimalist plot (in fact, many felt that there was not a coherent plot at all) and sparse dialogue. That play more than compensated by relying on images, moods, and atmosphere to affect the audience, and utilizing chilling staging, costumes and makeup, lighting and sound design, etc. More…